CinemaTic

Wizz-Art · Posted: Mon Jun 29, 2009 7:16 pm Post subject: Filmboeken

Alle geschreven media die als onderwerp film hebben kunnen hier besproken worden.

Mijn collectie bestaat uit:

Films of the 50's t/m '90's
Cinema Now
Defining Moments in Movies
A-Z Rough Guide to Film Directors
Time Out Film Guide '06
1001 Films You Must See Before You Die
The History of Cinema
501 Film Regisseurs
Cinema Today
Film in het juiste perspectief
Horror 333 Films to scare you to death
The Cinema Book
_________________
*For love some WiLL search the ends of earth..to possess the object of their desire some even KiLL..*

Verhoeven · Joined: 29 Jun 2009 Posts: 5626 Location: Zuid-Limburg

Films of the 70's t/m '80's
Sovjet Films
Cinema Now
Andrei Tarkovsky - De Verzegelde Tijd
Filmjaarboek 2005 (Ooit eens gewonnen bij de Filmvalley)
Filosofie & Film
1001 Films De meest spraakmakende Films Aller Tijden
Revival van de Japanse Film
Handboek Narratologie
De Filmclub
Defining Moments in Movies
Michael Mann

The Thin Red Line (Roman)
Watchmen (Graphic Novel)

En zestig Filmvalley's en een aantal Schokkend Nieuws.

Leejon · Joined: 29 Jun 2009 Posts: 1200

Brakhage · Joined: 03 Jul 2009 Posts: 301

Dit is mijn lijstje:

1. Aaron, Michele. New Queer Cinema: A Critical Reader. New Jersey: Rutgers State University of New Jersey, 2004.
2. Allen, Richard. Hitchcock’s Romantic Irony. New York: Columbia U.P., 2007.
3. Atlman, Rick. The American Film Musical. Bloomington: Indiana U.P., 1987.
4. Alton, John. Painting with Light. 1949. Berkeley: University of California Press, 1995.
5. Andrew, Geoff. The Films of Nicholas Ray. Londen: BFI Publishing, 2004.
6. Aranda, Francisco. Luis Buñuel. Grote cineasten. 1969 Vert. Carla Tromp-Boos. Amsterdam: Meulenhoff, 1977.
7. Atkinson, Michael. Blue Velvet. Londen: BFI Publishing, 1997.
8. Bach, Steven. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Londen: Jonathan Cape, 1985.
9. Bach, Steven. Marlene Dietrich: Life and Legend. Londen: HarperCollins, 1992.
10. Barr, Charles. Vertigo. Londen: BFI Publishing, 2002.
11. Barthes, Roland. Image-Music-Text. Vert. Stephen Heath. Londen: Fontana Press, 1977.
12. Baxter, John. Science Fiction in the Cinema. Londen: The Tantivy Press, 1970.
13. Baxter, John. The Cinema of Josef von Sternberg. Londen: Zwemmer, 1971.
14. Baxter, Peter (red.). Sternberg. Londen: British Film Institute, 1980.
15. Baxter, Peter. Just Watch!: Sternberg, Paramount and America. Londen: BFI Publishing, 1993.
16. Bazin, André. What is Cinema? Volume I. Los Angeles: University of California Press, 1967.
17. Bazin, André. What is Cinema? Volume II. Los Angeles: University of California Press, 1971.
18. Bellour, Raymond. The Analysis of Film. Bloomington: Indiana U.P., 2000.
19. Bordwell, David. Making Meaning. Londen: Harvard UP, 1986.
20. Bordwell, David. The Way Hollywood Tells it: Story and Style in Modern Movies. Londen: University of California Press, 2006.
21. Bordwell, David en Kristin Thompson. Film Art: An Introduction. 6e ed. New York: McGraw-Hill, 2001.
22. Bordwell, David en Kristin Thompson. Film History: An Introduction. 2e ed. New York: McGraw-Hill, 2003.
23. Bordwell, David, Kristin Thompson en Janet Staiger. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York: Columbia UP., 1985.
24. Brakhage, Stan. Essential Brakhage: Selected Writings on Film-Making. New York: McPherson & Company, 2001.
25. Britton, Andrew. Katharine Hepburn: Star as Feminist. 1984. New York: Columbia U.P., 2003.
26. Callow, Simon. The Night of the Hunter. Londen: BFI Publishing, 2002.
27. Carney, Ray. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Cambridge: Cambridge UP., 1994.
28. Carney, Ray. Shadows. Londen: BFI Publishing, 2001.
29. Carney, Ray. Cassavetes on Cassavetes. Londen: Faber and Faber, 2001.
30. Carroll, Noël. The Philosophy of Horror: or Paradoxes of the Heart. New York: Routledge, 1990.
31. Carroll, Noël. Engaging the Moving Image. Londen: Yale U.P., 2003.
32. Carroll, Noël. On Criticism. New York: Routledge, 2009.
33. Cavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. 1981. Londen: Harvard U.P., 2003.
34. Ceplair, Larry en steven Englund. The Inquisition in Hollywood: Politics in the Film Community, 1930-60. Chicago: University of Illinois Press, 2003.
35. Chandler, Charlotte. I, Fellini. Londen: Bloomsbury, 1994.
36. Chion, Michel. Audio-vision: Sound on Screen. New York: Columbia U.P., 1994.
37. Chion, Michel. Eyes Wide Shut. Londen: BFI Publishing, 2006.
38. Chion, Michel. The Thin Red Line. Londen: BFI Publishing, 2007.
39. Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. New Jersey: Princeton U.P., 1992.
40. Corber, Robert J.. In the Name of National Security: Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America. Durham: Duke U.P., 1993.
41. Curry, Ramona. Too Much of a Good Thing: Mae West as Cultural Icon. Minneapolis: University of Minnesota Press, 1996.
42. Cohan, Steve. Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical. Londen: Duke U.P., 2005.
43. Curtis, James. W.C. Fields: A Biography. New York: Back Stage Books, 2004.
44. Davis, Ronald L. The Glamour Factory: Inside Hollywood’s Big Studio System. Dallas: Southern Methodist U.P., 1993.
45. Dillon, Steven. The Mirror and the Sea: Derek Jarman and Lyric Film. Austin: University of Texas Press, 2004.
46. Doherty, Thomas. Projections of War. Hollywood, American Culture, and World War II. New York: Columbia UP., 1999.
47. Doherty, Thomas. Hollywood's Censor: Joseph I. Breen and the Production Code Administration. New York: Columbia UP., 2007.
48. Dombrowski, Lisa. The Films of Samuel Fuller: If You Die, I’ll Kill You. Middletown: Wesleyan U.P., 2008.
49. Dudley, Andrew (red.). Breathless: Jean-Luc Godard, director. 1987. New Brunswick: Rutgers UP.,1993.
50. Durgnat, Raymond. Durgnat on Film. Londen: Faber and Faber, 1976.
51. Durgnat, Raymond. A Long Hard Look at ‘Psycho’. Londen: British Film Institute, 2002.
52. Dyer, Richard. Heavenly Bodies: Film Stars and Society. New York: St. Martin’s Press, 1986.
53. Dyer, Richard. The Matter of Images: Essays on Representation. New York: Routlegde, 1993.
54. Dyer, Richard. Seven. Londen: BFI Publishing, 1999.
55. Dyer, Richard. Pastiche. New York: Routledge, 2007.
56. Ehrenstein, David. Open Secret: Gay Hollywood 1928-1998. New York: William Morrow and Company Inc., 1998.
57. Elsaesser, Thomas. Fassbinder’s Germany. Amsterdam: Amsterdam U.P., 1996.
58. Farber, Manny. Negative Space: Manny Farber on the Movies. 1971. New York: Da Capo Press, 1998.
59. Fischer, Lucy (red.). Imitation of Life: Douglas Sirk, director. New Brunswick: Rutgers UP., 1991.
60. Fischer, Lucy. Designing Women: Cinema, Art Deco, and The Female Form. New York: Columbia U.P., 2003.
61. Frank, Gerold. Judy. Londen: Wyndham Publiactions, 1977.
62. Frascella, Lawrence en Al Weisel. Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause. Simon & Schuster, 2005.
63. Fujiwara, Chris. Jacques Tourneur: The Cinema of Nightfall. Londen: The Johns Hopkins U.P., 1998.
64. Fujiwara, Chris (red.) Defining Moments in Movies: The Greatest Films, Stars, Scenes, and Events that Made Movie Magic. Londen: Cassell Illustrated, 2007.
65. Fujiwara, Chris. The World and its Double: The Life and Work of Otto Preminger. New York: Faber & Faber, 2008.
66. Garcia, Roger (red.). Frank Tashlin. Londen: BFI, 1994.
67. Godard, Jean-Luc. Godard on Godard. Geredigeerd en vertaald door Tom Milne. New York: Viking, 1972.
68. Grant, Barry Keith (red.). The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press, 1996.
69. Harvey, James. Movie Love in the Fifties. New York: Da Capo Press, 2001.
70. Harvey, Stephen. Directed by Vincente Minnelli. New York: The Museum of Modern Art, 1989.
71. Hawkins, Joan. Cutting Edge: Art-Horror and the Horrific Avant-garde. Minneapolis: University of Minnesota Press, 2000.
72. Hill, Lee. Easy Rider. 1996. Londen: BFI Publishing, 2004.
73. Hoberman, J. 42nd Street. Londen: BFI Publishing, 1993.
74. Hoberman, J. The Dream Life: Movies, Media, And the Mythology of the Sixties. New York: The New Press, 2003.
75. Houseman, John. Unfinished Business. Londen: Columbus Books, 1986.
76. Hughes, Davis. The Complete Kubrick. Londen: Virgin Publishing, 2001.
77. Hunter, Jack (red.). Moonchild: The Films of Kenneth Anger. Londen: Creation Books, 2002.
78. Jones, Alan. Profondo Argento: The Man, the Myths & the Magic. Godalming: FAB Press, 2004.
79. Kael, Pauline. For Keeps. 30 Years at the Movies. 1994. Reprint ed. New York: Plume Books, 1996.
80. Kapsis, Robert E. Hitchcock: The Making of a Reputation. Chicago: The Chicago of U.P., 1992.
81. Kaufman, Gerald. Meet Me in St. Louis. Londen: BFI Publishing, 1994.
82. Kitses, Jim. Gun Crazy. Londen: BFI Publishing, 1996.
83. Klawans, Stuart. Film Follies: The Cinema out of Order. Londen: Cassell, 1999.
84. Klinger, Barbara. Melodrama & Meaning: History, Culture, and the Films of Douglas Sirk. Bloomington en Indiana: Indiana U.P., 1994.
85. Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. 1949. Princeton: Princeton U.P., 1971.
86. Krohn, Bill. Hitchcock at Work. Londen: Phaidon Press, 2003.
87. Kuenzli, Rudolf E. (red.). Dada and Surrealist Film. 1987. 3e ed. Londen: MIT Press, 2001.
88. Leff, Leonard J. Hitchcock & Selznick: The Rich and Strange Collaboration of Alffred Hitchcock and David O. Selznick in Hollywood. New York: Weidenfeld & Nicholson, 1987.
89. Leutrat, Jean-Louis. L’Année Dernière À Marienbad. Vert. Paul Hammond. Londen: BFI Publishing, 2000.
90. Liandrat-Guigues, Suzanne. Red River. Londen: BFI Publishing, 2000.
91. MacCabe, Colin. Godard: A Portrait of the Artist at Seventy. New York: Farrar, Straus and Giroux, 2003.
92. Maltby, Richard, Melvyn Stokes en Robert C. Allen (red). Going to the Movies: Hollywood and the Social Experience of Cinema. Exeter: University of Exeter Press, 2007.
93. Marie, Michel. The French New Wave: An Artistic School. 1997. Vert. Richard Neupert. Parijs: Blackwell Publishing, 2003.
94. Mercer, John en Martin Shingler. Melodrama: Genre, Style, Sensibility. Londen: Wallflower Press, 2004.
95. Metz, Christian. De Beeldensignifikant: Psychoanalyse en Film. Nijmegen: Socialistiese Uitgevrij Nijmegen, 1980.
96. Michaels, Lloyd (red.). Ingmar Bergman’s Persona. Cambridge: Cambridgde U.P., 2000.
97. Minnelli, Vincente & Hector Arce. I Remember it Well. New York: Berkley Publishing Corporation, 1974.
98. Morton, Jim et al. Re/Search # 10: Incredibly Strange Films. San Francisco: V/Search Publications, 1986.
99. Muller, Eddie. Dark City: The Lost World of Film Noir. New York: St. Martin’s Griffiin, 1998.
100. Naremore, James. Filmguide to Psycho. Bloomington: Indiana U.P., 1973.
101. Naremore, James. Acting in the Cinema. Berkeley: University of California Press, 1988.
102. Naremore, James & Patrick Brantlinger (red.). Modernity and Mass Culture. Bloomington: Indiana U.P., 1991.
103. Naremore, James. The Films of Vincente Minnelli. Cambridge: Cambridge U.P.,1993.
104. Naremore, James. More than Night: Film Noir in its Contexts. 1998. Berkeley: University of California Press, 2008.
105. Nemerov, Alexander. Icons of Grief: Val Lewton’s Home Front Pictures. Berkeley: University of California Press, 2005.
106. Newquist, Roy. Conversations with Joan Crawford. New York: The Citadel Press, 1980.
107. Nichols, Bill (red.). Movies and Methods. Berkeley: University of California Press, 1976.
108. Nowell-Smith, Geoffrey. L’Avventura. 1997. Reprint ed. Londen: BFI Publishing, 2002.
109. Perez, Gilberto. The Material Ghost: Films and their Medium. Baltimore en Londen: The Johns Hopkins U.P., 1998.
110. Perkins, V.F.. Film as Film: Understanding and Judging Movies. 1972. New York: Da Capo Press, 1993.
111. Porfirio, Robert, Alain Silver & James Ursini (red.). Film Noir Reader 3. New York: Limelight Editions, 2002.
112. Prawer, S.S.. The Blue Angel. Londen: BFI Publishing, 2002.
113. Rebello, Stephen. Alfred Hitchcock and the Making of Psycho. Londen: Marion Boyars, 1990.
114. Rees, A.L.. A History of Experimental Film and Video. Californië: University of California Press, 1999.
115. Rodley, Chris (red.). Cronenberg on Cronenberg. 1992. Londen: Faber & Faber, 1997.
116. Rosenbaum, Jonathan. Essential Cinema. Baltimore en Londen: The Johns Hopkins U.P., 2004.
117. Rosenbaum, Jonathan en J. Hoberman. Midnight Movies. 1983. Reprint ed. New York: Da Capo Press, 1991.
118. Ross, Andrew. No Respect: Intellectuals & Popular Culture. Londen: Routledge, 1989.
119. Rudkin, David. Vampyr. Londen: BFI Publishing, 2005.
120. Sarris, Andrew. The Films of Josef von Sternberg. New York: The Museum of Modern Art, 1966.
121. Sarris, Andrew. The American Cinema: Directors and Directions 1929-1968. 1968. Reprint ed. New York: Da Capo Press, 1996.
122. Schatz, Thomas. The Genius of the System: Hollywood Film-making in the Studio Era. 1989. New York: Faber & Faber, 1996.
123. Sconce, Jeffrey (red). Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics. Londen: Duke University Press, 2007.
124. Self, Robert T. Robert Altman’s Subliminal Reality. Minneapolis: University of Minnesota Press, 2002.
125. Sitney, P. Adams, red. The Avant-garde Film: A Reader of Theory and Criticism. New York: New York U.P., 1978.
126. Sitney, P. Adams. Visionary Film: The American Avant-Garde in the 20th Century. 3e ed. Oxford: Oxford U.P., 2002.
127. Sklar, Robert. City Boys: Cagney, Bogart, Garfield. New Jersey: Princeton U.P., 1992.
128. Sklar, Robert. Movie-Made America: A Cultural History of American Movies. 1975. New York: Vintage Books, 1994.
129. Staggs, Sam. Born to be Hurt: The Untold Story of ‘Imitation of Life’. New York: St. Martin’s Press, 2009.
130. Steegmuller, Francis. Cocteau: A Biography. Boston: Nonpareil Books, 1986.
131. Sternberg, Josef von. Fun in a Chinese Laundry. 1965. Londen: Columbus Books, 1987.
132. Sterrit, David red. Jean-Luc Godard Interviews. University Press of Mississippi, 1998.
133. Studlar, Gaylyn. In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic. New York: Columbia U.P., 1988.
134. Tambling, Jeremy. Wong Kar-Wai’s Happy Together. Hong Kong U.P., 2003.
135. Taubin, Amy. Taxi Driver. Londen: BFI Publishing, 2000.
136. Tarkovsky, Andrei. Sculpting in Time. Austin: University of Texas Press, 1987.
137. Taylor, Greg. Artists in the Audience: Cults, Camp, and American Film Criticism. New Jersey: Princeton U.P., 1999.
138. Tohill, Cathal en Pete Tombs. Immoral Tales: European Sex and Horror Movies 1956-1984. New York: St. Martin’s Griffin, 1995.
139. Thompson, David en Ian Christie (red.). Scorsese on Scorsese. Londen: Faber and Faber, 1989.
140. Thompson, David (red.). Altman on Altman. Londen: Faber and Faber, 2005.
141. Truffaut, François. Hitchcock Truffaut. New York: Simon & Schuster, 1984.
142. Turim, Maureen. The Films of Oshima Nagisa: Images of a Japanese Iconoclast. Berkeley: University of California Press, 1998.
143. Tyler, Parker. Screening the Sexes: Homosexuality in the Movies. New York: Da Capo Press, 1993.
144. Tyler, Parker. Underground Film: A Critical History. New York: Da Capo Press, 1995.
145. Watts, Jill. Mae West: an Icon in Black and White. Oxford: Oxford U.P., 2001.
146. Weinberg, Herman G.. Josef von Sternberg: a Critical Study of the Great Film Director. New York: E.P. Dutton & Co, 1967.
147. Wexman, Virginia Wright & Karen Hollinger (red.). Letter From an Unknown Woman: Max Ophuls, director. New Brunswick: Rutgers UP., 1986.
148. Weinstock, Jeffrey. The Rocky Horror Picture Show. Londen: Wallflower Press, 2007.
149. White, Susan M.. The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman. New York: Columbia U.P., 1995.
150. Williams, Linda. Playing the Race Card: Melodramas of Black and White from Unlce Tom to O.J. Simpson. Princeton: Princeton U.P., 2001.
151. Wollen, Peter. Sings and Meaning in the Cinema. 1969. Bloomington: Indiana U.P., 1972.
152. Wollen, Peter. Singin’ in the Rain. Londen: BFI Publishing, 1992.
153. Wood, Robin. Hitchcock’s Films Revisited. New York: Columbia U.P., 1989.
154. Wood, Robin. Sexual Politics & Narrative Film: Hollywood and Beyond. New York: Columbia U.P., 1998.
155. Wood, Robin. Hollywood From Vietnam to Reagan… and Beyond. New York: Columbia U.P., 2003.
156. Wood, Robin. Howard Hawks. 1968. Detroit: Wayne State U.P., 2006.
157. Wood, Robin. Personal Views: Explorations in Film, revised edition. 1976. Detroit: Wayne State U.P., 2006.
158. Yacowar, Maurice. The Films of Paul Morrissey. Cambridge: Cambridge U.P., 1993.

Erik Hagen · Posted: Sat Jul 04, 2009 12:53 pm Post subject:

Wow.

Tips voor een beginnend lezer?
_________________
Vae, puto deus fio...
Films 2017 |

Brakhage · Joined: 03 Jul 2009 Posts: 301

Erik Hagen · Posted: Sat Jul 04, 2009 1:49 pm Post subject:

Wizz-Art · Posted: Sat Jul 04, 2009 1:53 pm Post subject:

Taschen brengt mooie fotoboeken uit met redelijk niveau tekst, kun je je als leek geen buil aan vallen.
_________________
*For love some WiLL search the ends of earth..to possess the object of their desire some even KiLL..*

Brakhage · Joined: 03 Jul 2009 Posts: 301

Erik Hagen · Posted: Sat Jul 04, 2009 2:40 pm Post subject:

Brakhage · Joined: 03 Jul 2009 Posts: 301

Erik Hagen · Posted: Sat Jul 11, 2009 12:34 pm Post subject:

Gisteren van m'n vrienden een boek over film gekregen:

Mark Cousins, The Story of Film. From silent classics to modern movies (2008, eerste editie 2004)

Iemand hier bekend mee? Klinkt als precies het soort boek dat ik zocht. Smile

_________________
Vae, puto deus fio...
Films 2017 |

Khun Henk · Joined: 08 Jul 2009 Posts: 68 Location: Hillywood

Ik heb geen filmboeken, maar dankzij het lijstje van Vehoeven het boek ''Revival van de Japanse film'' besteld Very Happy

Verhoeven · Joined: 29 Jun 2009 Posts: 5626 Location: Zuid-Limburg

Dit moet niet veel gekker worden. Laughing

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Over smaak valt zeker niet te twisten maar over de inhoud wel.

Wizz-Art · Posted: Sat Oct 24, 2009 12:40 pm Post subject:

Cinema Today aangeschaft, een zwaar koffietafelboek met hele mooie stills en een boeiend geschreven verhaal over de hedendaagse cinema wereldwijd van pakweg de jaren '70 tot nu, door Edward Buscombe Cool

_________________
*For love some WiLL search the ends of earth..to possess the object of their desire some even KiLL..*